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Henning, Stephen
Contemporary representational landscape painter and impressionist, inspired by the world of nature. His paintings on canvas explore light and space to create a strong sense of place.
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Ottem, Kirsti
Tall, creative, capricious, depressive and humorous. I believe in God, love, intelligence, common sense, reveries, obsessions, kindness, communication, music and honesty
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Giacomelli, Mario (1913-2000)
Mario Giacomelli was the greatest Italian photographers of the twentieth century, although he remained in the best sense of the word an amateur even after becoming famous for his work.
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Mario Giacomelli (1913-2000)
Mario Giacomelli was the greatest Italian photographers of the twentieth century, although he remained in the best sense of the word an amateur even after becoming famous for his work.
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King, Ruth
Ruth King's experimental, abstract collage paintings done in acrylics create a strong sense of place, be it another dimension, some fantasy world, or outer(inner) space.
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Prue Cooper Slipware Dishes
Prue Cooper makes unique slipware dishes in original and traditional designs that celebrate friendship, generosity and the sharing of simple pleasures. The simple press-moulded shapes are sometimes decorated with inscriptions, the overall design of the dish echoing the sense of the words.
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Arts catalogue
Arts category contains English language sites about art, or 'the use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others.' This includes the 'liberal arts, ' concerned with skill of expression in language, speech, and reasoning, and the 'fine arts, ' concerned with affecting aesthetics directly, and especially affecting the sense of beauty. (Quotes and paraphrases from Britannica.com) Art is an abstract and subjective quality: It can be studied, but can not be objectively measured, counted, weighed, or absolutely compared; it can only appeal to the viewer's or audience's personal senses. Insurance quotes
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Mike Lemon Casting
Philadelphia's premier Casting Company casting talent for Films, Commercials, Industrials, Voiceover..Online talent database..acting classes...
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Fragments 99 a magazine of poems & images .index html - web design by sitedesignuk ,
An independent images & poetry magazine published on 40 paper pages every 4 months approx. This website allows the browser to see and read some of the content from the last 12 editions.The magazine is run on a non profit making basis with the proceeds from each edition financing the subsequent editions. The editor Jack Yates is an artist who has decades of experience and has contributions from many poets and artists from around the world. Auto financing
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Leonardo Da Vinci: Last Supper, picture, painting, Mona Lisa, drawing, invention, art, notebook, fly
Italian painter, draftsman, sculptor, architect, and engineer whose genius, perhaps more than that of any figure, epitomized the Renaissance humanist Ideal. His "Last Supper" (1495-97) and "Mona Lisa" (1503-06) are among the most widely popular and influential paintings of the Renaissance. His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time. The unique fame that Leonardo enjoyed in his lifetime and that, filtered and purified by historical criticism, has remained undimmed to the present day is based on the equally unique universality of his spirit. Leonardo's universality is more than many-sidedness. True, at the time of the Renaissance and the period of humanism, many-sidedness was a highly esteemed quality; but it was by no means rare. Many other good artists possessed it. Leonardo's universality, on the other hand, was a spiritual force, peculiarly his own, that generated in him an unlimited desire for knowledge and guided his thinking and behaviour. An artist by disposition and endowment, he found that his eyes were his main avenue to knowledge; to Leonardo, sight was man's highest sense organ because sight alone conveyed the facts of experience immediately, correctly, and with certainty. Hence, every phenomenon perceived became an object of knowledge. Saper vedere ("knowing how to see") became the great theme of his studies of man's works and nature's creations. His creativity reached out into every realm in which graphic representation is used: he was painter, sculptor, architect, and engineer. But he went even beyond that. His superb intellect, his unusual powers of observation, and his mastery of the art of drawing led him to the study of nature itself, which he pursued with method and penetrating logic--and in which his art and his science were equally revealed.
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